Landscape painting Adam Kwarta’s landscape painting departs from traditional forms, in which the landscape is only a static image, registered by sight. In his works, the artist proposes a completely new approach – by using various textures, structures and materials, he creates works that can not only be viewed, but also touched. The surfaces of his paintings, made using a mixture of acrylic, sand, metallic paints and special varnishes, become a space of interaction.
Structural paintings Adam Kwarta invites viewers to examine the structure of the image through touch, which introduces an element of haptic perception to the experience of art. This approach is particularly innovative, because traditional painting usually focuses on affecting only the sense of sight. The exhibition of landscape painting allows for the reception of images in a multi-sensory way – you can feel the roughness, smoothness, convexities and other physical features of the images, which opens up completely new perspectives in the reception of art.
Abstract Landscape Painting Adam Kwarta’s landscape painting departs from traditional forms, in which the landscape is only a static image, registered by sight. In his works, the artist proposes a completely new approach – by using various textures, structures and materials, he creates works that can not only be viewed, but also touched. The surfaces of his paintings, made using a mixture of acrylic, sand, metallic paints and special varnishes, become a space for interaction.
In the abstract cycle of his landscapes, the artist draws attention to the dynamic nature of the landscape. His paintings are not static – they change depending on the angle from which they are viewed and the light that falls on them. The use of metallic paints causes the surfaces of the paintings to opalize, changing colors depending on the intensity and angle of light. The use of resins makes the paintings glow, and high-gloss varnishes add an additional layer of variability in visual reception. These optical changes introduce an element of dynamics that emphasizes that the landscape is not just space, but a process – something that is constantly evolving, changing and in constant motion. This is landscape painting in a new dimension.
